Adobe Premiere Pro Garbage Matte After Effects

#Adobe Premiere Pro Garbage Matte After Effects how to
#Adobe Premiere Pro Garbage Matte After Effects Patch

You can also blend the lines between your clips using the Mask Feather settings.

If your clone moves and goes slightly out of frame, you can adjust the Effects Control PanelвЂ™s Mask Expansion.If you have spaces between your masks, you can either adjust them slightly or place the clean clip you took of the area at the bottom of the stack. Continue through the layers, masking around your subject, until each clone exists in its own box.If your camera didnвЂ™t move during the shoot, your layers should match perfectly. You should immediately be able to see the second layer below it. Go to the Free Draw Bezier or Rectangle tool and draw around the subject on your top layer to create a mask around your subject.Place all of your clips on the timeline, stacked on top of one another.Once you have all your shots imported into Premiere Pro, you can begin to edit your composition.

#Adobe Premiere Pro Garbage Matte After Effects how to

Part 2: How to Clone Yourself in Premiere Pro

#Adobe Premiere Pro Garbage Matte After Effects Patch

This clean take can be used to patch areas in your end composition if you need to. Top Tip: It can be super helpful also to film your scene without a subject. For our example, we would have five separate takes, with our subject in a different position for each. Film the sequence for each of your clones, being careful not to cross the space you have allowed for that version. Once you know the position and duration of each of your clones, you can begin filming. For example, if our main subject has to deliver a script to the camera that is 60 seconds long, we want each take to last approximately the same length. If each of your clones will have specific actions to complete, you should always record for the longest possible action. Next, you need to consider the length of your shot. In the example, we have divided the area into five clear sections in which our subject can exist.

Think about your shot division and where you can place your subject without them crossing another space. Your camera mustnвЂ™t move position while you are filming, or you will have a lot of problems in the edit. Start by setting your camera up and lock it in place. Planning the shots you want to achieve can help make the editing a lot easier and give you a better overall result.ДЇor a clean edit, it helps if your subject doesnвЂ™t cross lines of the frame. The technique we are going to show you works best with a bit of pre-production.

Part 3: How to Clone or Duplicate a Crowd in Premiere Pro.

Part 2: How to Clone Yourself in Premiere Pro.